Our Purpose
If we think of Heritage as a collective performance taking place in real or virtual contexts, we think of an endless transactional turmoil where values are continuously assessed for ourselves and others.
Participatory Processes in the constitution of
Identity, Memory, and Belonging
Heritage is something we all make together.
Our Values
Heritage is not a set of dead things. Heritage can be understood as a set of things invested with either financial, emotional or symbolic values which are important to those who inherit them.
Our Mission
We started a series of international partnerships that gave rise to a cluster of European projects which features actions under the Creative Europe, Horizon 2020, Erasmus IP and Europe for Citizens programmes.
INTRODUCING PERFORMING HERITAGE IN BRUSSELS
Root-telling and the (re)construction of a collective memory
Focus by Stefano Jacoviello (University of Siena \ PanSpeech) during the International Communication Summit Europe 2014
Invited speakers: Spike Lee, Michael Dobbs, Simona Panseri from Google, Yasser Aref, Stephen Clark, Stefano Jacoviello, Barbara Serra, Franco Pomilio.
ICS Europe 2014 ICS Magazine 4 – 2014 ICT Europe 2014 on YouTube
Network landscape
CREOLIMAGE
Tells stories through pictures of the journey that took place from 2010-11, in which artists from diverse backgrounds performed together through the negotiation of practices, artistic languages, themes, and forms of expression. Romania, France, Hungary, Poland, and Italy were involved in the first Creole Performance Cycle.
Daniela Neri’s photography witnessed this process, and while on the one hand it documents it, on the other it takes part in the process in a straightforward manner. An attentive viewer can find a way to relive the long journey and recognise each milestone as they go.
Shifting Borders: European Perspectives on Creolisation
In the last few decades, creolisation has become a recurrent feature in the works of scholars from many disciplines, serving as a useful metaphor for understanding contemporary societies in a “world of globalisation”.
More than a metaphor, creolisation can be conceived as a powerful analytical and theoretical tool in order to grasp the current dynamics of intercultural encounter and conflict, allowing a close look at the production of new subjectivities and identities.
This volume thus has much to say about moving and mixing in our times, and shows in more ways how thinking about creolist and related notions can be very fruitful.
Co-Founded
Promoted by
This project has been funded with
support from the European Commission
Contacts
PanSpeech srl – Siena
Research Company
VAT No. IT01387700527
performingheritage@panspeech.eu
+39 347 1023843
Research Company
VAT No. IT01387700527
performingheritage@panspeech.eu
+39 347 1023843
.
Department of History
and Cultural Heritage
University of Siena
pec.dssbc@pec.unisipec.it
+39 0577 232545
and Cultural Heritage
University of Siena
pec.dssbc@pec.unisipec.it
+39 0577 232545
.
Department of Social, Political
and Cognitive Sciences
University of Siena
pec.dispoc@pec.unisipec.it
+39 0577 234752
and Cognitive Sciences
University of Siena
pec.dispoc@pec.unisipec.it
+39 0577 234752
.